Jenifer Wightman

science+art

Winogradsky Rothko

Week 6

September 11, 2004
Installation: Ithaca, NY USA

Transforming Colorfield

Photo by Johnna MacArthur

 

1973

Fact.

2006
Revilo and Nancy Wightman Pointing to ~1973 on Population Chart

Self Portrait

 

 

Fascist Fashion Show1973

 
2003
Performance: Venues Throughout the NorthEast USA

Political Satire on a CatWalk

Photo by Carrie Chalmers

Garden of Eden

 
2007
Installation: Bygstad, Norway

Scientific Depiction of the Garden

scientific graphics re-tell the story of genesis

Nickle and Dimed

 
2003
Group Show: Ithaca, NY

Currency Lures

Currency from around the world are flattened by a coal train and turned into fishing lures.

Surd

 
2002
Installation: Ithaca, NY

Ecological Footprint

Depiction of one Cornell University student's land area needed to sustain his or her paper consumption.

Corn and Beans

 
2004, Stolen
Installation: Ithaca, NY

Homage to Seed Librarians

Native American heritage corn and bean seeds are sealed in testtubes and hung next to a monocropped field of corn.

monument

 
2007
Installation: Columbia, SC

Democracy of Decomposition

Cotton seed hulls, coffeegrinds, and oak shaving wastes build this corinthian style column of mushroom re-distribution.

200 cans

 
In Process: 2005 to present
Installations: public libraries in the NorthEast USA

Edible Art

Home grown heritage tomatoes are canned and given away in exchange for a description of how the recipient will use this source of energy.

Clapper

Abject Light

2008
Route 120, Plainfield NH

200 road reflectors lit by passing headlights

a roadside 'Clapper', if you will.

Visualizing Meaning: Copying the Masters

Global Warming Bed

2007
Bissel Gallery: Ithaca, NY

Domesticating Scientific Graphs

 

nickle and dimed
monument

winogradsky rothko

Artist Statement

My work employs scientific tropes to incite curiosity about ecological phenomena. I am interested in poetically articulating the incongruities between our current economic growth paradigm (conceptually unlimited) and our emerging notion of sustainability (limited by finite resources).

I try to capture the visual language of embodied form moving through cycles of destruction and creation within a finite landscape. I am curious how ideas are conserved, mutated, transmitted, or lost in time by the molecular play of our shared materiality. I create experiences for viewers to observe and reflect on biophysical transitions as finite materials cycle between a figure and its field.

I am fundamentally interested in how we might conceive of an ecological rationality by reflecting on the co-evolution of a culture and its supporting ecosystem.

 
surd

Milk and Cookies

Various Editable Installations

2010
Installation: Ithaca, NY USA

De/Compositions

My Grandmothers cookies are disappeared.

Visualizing Meaning: Vector

Panel 2

2006
Installation: Ithaca, NY USA

Line Drawings

Dr. Ed Salpeter (Physics Department, Emeritus) standing with his own graph of the frequency of supernova's that are responsible for the heavy elements of the periodic table.

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Contact: audiblewink at gmail dot com